
7 Deadly Sins
2019

2006
RDirector
Glenn Plummer
Runtime
80 minutes
Average Rating
No ratings yetSynopsis
A diverse mix of fun loving college co-eds go on a weekend cabin trip together. However their partying is soon brutally interrupted. A classmate trying to get some play uses an ancient voodoo book stolen from his professor's office to impress one of the girls. He accidentally conjures up an evil African voodoo spirit the Giddeh. One by one the students are savagely dismembered when they look into the deadly eyes of the spirit. Now it's up to their professor to save them as he races up to their secluded vacation spot to stop the Giddeh.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film lacks explicit queer characters or non-heteronormative dynamics. The narrative focuses on traditional romantic motivations and a diverse group of students without addressing LGBTQ+ identities.
Gender Representation
Female characters are primarily positioned as victims within a conventional horror structure. While the professor provides central agency, the framing relies on traditional gendered tropes common to the genre.
Racial & Ethnic Diversity
The film disrupts white-centric horror norms by centering a multi-ethnic ensemble. It uses African voodoo as a primary plot driver rather than mere background texture.
Religious & Cultural Diversity
By focusing on the Giddeh, the story shifts away from Judeo-Christian paradigms. It engages with non-Western spiritual frameworks and the misuse of ancestral occult knowledge.
Disability Representation
There is no evidence of physical or neurodivergent disability representation within the narrative.
Strengths
Areas for Improvement
AI Analysis
Voodoo Curse: The Giddeh stands out in the mid-2000s horror landscape by intentionally diversifying the demographic makeup of its ensemble. By centering African spiritualism and a multi-ethnic cast, it moves away from the homogenous casting typical of the slasher genre. However, the film remains tethered to traditional genre tropes. The female characters often occupy the role of victims, and the narrative lacks any visible LGBTQ+ representation or disability inclusion. Ultimately, the film's strength lies in its cultural pivot, using non-Western motifs to drive the plot rather than treating them as secondary elements.

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