The film lacks explicit evidence of LGBTQ+ characters or queer themes. The narrative focuses on the mass possession trope, prioritizing visceral terror over identity-driven character arcs.

Women are central to the survival narrative, as seen in the top-billed cast. However, the film follows traditional tropes that often oscillate between female victimhood and standard hero archetypes.

As an Indonesian production, the film centers a Southeast Asian cast and cultural context. This provides a natural departure from Western-centric horror through its immersion in regional identity.

The story engages with localized spiritual fears and communal structures like scouting. These elements appear to reinforce traditional social and religious frameworks rather than critiquing them.

There is no mention of characters with visible or invisible disabilities. Consequently, the film offers no representation or specific character agency regarding disability.