
Father Soldier Son
2020
No Poster Available
1984
Director
Malcolm Clarke
Runtime
53 minutes
Average Rating
No ratings yetSynopsis
A portrait of several Vietnam War veterans living "off the grid." Upon returning home from the war, these men found themselves unable to exist in normal society due to the lasting psychological scars from Vietnam, and, subsequently, chose to live a life of solitude and survival in the American wilderness.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The documentary focuses on a specific cohort of Vietnam veterans living in isolation. There is no evidence of LGBTQ+ characters or narratives addressing non-heteronormative identities.
Gender Representation
The film centers exclusively on a male cohort, reflecting the historical demographics of the Vietnam War era. It offers little to no presence of female agency or subversion of gendered roles.
Racial & Ethnic Diversity
The narrative reflects the demographic realities of the era but lacks intentionality regarding intersectional casting. There is no explicit evidence of a diverse cast within the veteran subset.
Religious & Cultural Diversity
The film critiques Western institutions by portraying mainstream society as a space of exclusion. Living off the grid serves as a rejection of capitalist structures and organized societal norms.
Disability Representation
The documentary provides significant visibility to invisible disabilities, specifically PTSD. It presents isolation as a complex, necessary response to systemic psychological injury rather than a source of mockery.
Strengths
Areas for Improvement
AI Analysis
Soldiers in Hiding is a narrow study of masculine trauma that succeeds through its psychological depth. While it lacks demographic breadth, it offers a sophisticated critique of the state and its failure to reintegrate veterans. The film's strength lies in its refusal to romanticize the post-war experience. Instead, it treats the veterans' retreat into the wilderness as a legitimate, albeit isolating, response to profound systemic injury. However, the work is limited by its singular focus on a male demographic. This lack of intersectional representation prevents the film from exploring a wider spectrum of the human experience following conflict.

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