The film contains no LGBTQ+ characters or non-heteronormative identities. It adheres strictly to traditional heteronormative structures within its ensemble of tourists.

Female characters are central to the tension but primarily serve as subjects of peril. The film relies on conventional masculine and feminine survival dynamics without subverting gender hierarchies.

The cast is predominantly white, creating a binary between Western protagonists and island inhabitants. It utilizes cannibal exploitation tropes that frame non-Western cultures as primitive threats.

The narrative reinforces Western-centric hierarchies by depicting a conflict between civilization and savagery. It uses the absence of law to facilitate horror rather than exploring complex cultural critiques.

There is no meaningful portrayal of physical or neurodivergent disabilities. Characters are defined solely by their capacity for survival or their vulnerability to violence.