
Cosmos
2019

Representation Score
Limited
1990
Director
Kahangir Zeynalli
Runtime
89 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Contact is a piece of late-Soviet Azerbaijani science fiction that emphasizes metaphysical mystery over social identity politics. It succeeds in offering a culturally specific perspective that moves away from Western cinematic norms and socialist realism. However, the film's narrative structure relies heavily on traditional archetypes. The central relationship and the maternal role of the female lead do not actively challenge established social hierarchies or gender norms. Ultimately, while the film provides a unique spiritual and regional lens, it lacks the diverse representation needed to improve its social representation scores.
Category Breakdown
The film does not include any LGBTQ+ characters or non-cisgender identities. The main interaction follows traditional gender roles between a male and a female character.
A female character serves as the primary driver of the plot. However, her role remains tied to traditional maternal themes and archetypes rather than challenging gender hierarchies.
The production reflects the ethnic makeup of the Caucasus region through its Azerbaijani setting. It offers regional authenticity but does not show intentional multi-ethnic dynamics or racial diversity.
The narrative focuses on metaphysical and spiritual themes rather than state-centric or religious dogma. This emphasis on mystical phenomena suggests a move away from rigid institutional structures.
There is no information available regarding the depiction of physical or neurodivergent characters in this work.
Present on Screen
Limited or Absent
Official Synopsis
In search of housing, a student stumbles upon an advertisement for renting an apartment at a very reasonable fee—and promptly agrees with a woman who recently laid her son to rest, complying with all her conditions. The young man settles into the apartment and gradually becomes a witness to inexplicable mystical phenomena.

2019

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