The film follows a gothic romantic framework centered on heteronormative pairings. While it explores themes of 'otherness' through a supernatural lens, it lacks explicit same-sex intimacy or non-cisnormative identities as central plot drivers.

Women in the film often possess higher situational awareness and agency than their male counterparts. The narrative disrupts traditional hierarchies by portraying patriarchal authority as incompetent or obsolete when facing supernatural chaos.

The mid-20th-century New England setting limits racial breadth, resulting in a primarily homogeneous Anglo-Saxon cast. While supernatural elements occasionally disrupt social boundaries, the film does not feature a non-white majority.

The story excels at deconstructing Western institutions by portraying the traditional family and landed gentry as fractured. It critiques rigid, class-based social structures through a lens of moral relativism.

Supernatural 'monsters' serve as metaphors for neurodivergence and physical difference. However, these traits often function as stylistic plot devices rather than providing deep, agency-driven representation of lived experiences.