
Save the Lifeguard
1977

Representation Score
Limited
1975
Director
Boaz Davidson
Runtime
95 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Festival At The Poolroom is a character-driven comedy that emphasizes ethnic and cultural specifics. By focusing on the Jewish experience in Jaffa, it avoids the Western-centric perspective typical of 1970s cinema. However, the film is constrained by the social norms of its time. It lacks complexity in representing diverse identities, offering little in terms of gender diversity or LGBTQ+ representation. The story centers solely on male-centric conflicts and traditional social structures.
Category Breakdown
The film does not include any LGBTQ+ characters or stories about non-cisgender identities. The plot revolves around the bond between two brothers.
The story focuses mainly on male characters and male-centric issues in a snooker bar. There are no female characters who play significant roles or challenge gender hierarchies.
The film highlights the Jewish experience in Jaffa, providing a detailed look at the differences between religious and secular lifestyles within the community.
The movie examines the tensions between traditional religious life and modern urban living. It serves as a character study of various social classes within a specific community.
The film does not feature any characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
The story is about two twin brothers, Azriel and Gavriel. Azriel is a shy, religious Jew who works in a fruit shop in Jaffa. Gavriel is a hoodlum and a good-for-nothing hustler who runs a snooker bar. Gavriel and his friend Hanuka make easy money by swindling people into gambling on snooker games. One day Gavriel is forced to renew contact with his brother because he is in trouble with a gangster.

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