
Mylène Farmer: Pourvu qu'elles soient douces (Libertine II)
1988

Representation Score
Minimal
1988
GDirector
Laurent Boutonnat
Runtime
5 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This music video is a high-concept, gothic period piece that emphasizes atmospheric melancholia over social commentary. It employs a sepia-toned aesthetic to evoke a sense of romantic fatalism and mythic longing. The work follows a traditionalist approach to storytelling, featuring a female protagonist at the center of its emotional landscape but lacking the layered complexity or systemic disruption found in more progressive works. Ultimately, the narrative structure is designed to evoke mood rather than engage with contemporary identity politics or social restructuring.
Category Breakdown
The story focuses on a traditional, tragic romance between a female and a male character. There are no representations of non-binary or transgender identities, nor are there narratives that challenge the assumption that everyone is straight or cisgender.
Mylène Farmer plays a central role as the emotional and visual focal point of the narrative. She is depicted through a lens of emotional vulnerability but avoids traditional male-dominated archetypes.
The cast is ethnically uniform, reflecting the film's 19th-century setting. It presents a stylized, Eurocentric historical tableau without diverse casting.
The film uses gothic and religious imagery primarily for stylistic purposes to create an atmosphere. It upholds a traditional view of romantic devotion without critiquing Western institutions.
There are no visible depictions of physical or neurodevelopmental disabilities. The focus remains solely on the psychological state of the protagonists through romantic melancholy.
Present on Screen
Limited or Absent
Official Synopsis
Tribute to Walt Disney's animated feature, Bambi. The video was the singer's favourite at the time, and was her sole one in sepia tone. It was broadcast for the first time in the television show Top 50 on Canal+ a few weeks after the single release. The scene of the drowning, shot in the same pond and with almost the same team as that for "Plus grandir", was very difficult to film because the singer was then afraid of the water. Farmer said in an interview that the sobriety of the clip was well suited to this song.

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