
Augustine
2012

Representation Score
Fair
2016
Director
Drew Christie
Runtime
7 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film avoids broad demographic inclusion, focusing instead on a psychological deconstruction of Eadweard Muybridge. It uses a unique mutoscope framing device to tell a subjective, non-linear history. Rather than celebrating scientific progress, the narrative highlights the human cost of innovation and paternal abandonment. This challenges the traditional 'Great Man' biographical cliché. Ultimately, the work emphasizes domestic dysfunction and the fragmentation of the family unit over overt identity politics or diverse casting.
Category Breakdown
The film does not include explicit representations of LGBTQ+ identities or dynamics that challenge the assumption that everyone is straight. It focuses on a historical figure without any documented queer subtext.
The narrative critiques masculine archetypes by emphasizing the emotional consequences of abandonment. It shifts the focus from the protagonist's scientific achievements to the domestic impact of his actions.
As a 19th-century period piece, the film reflects the limited racial diversity of its time. There is no indication of significant non-Anglo-Saxon presence in the primary context.
The film critiques traditional Western structures by examining the breakdown of the nuclear family. It presents a morally relativistic view of historical figures rather than a celebratory one.
While the story explores themes of psychological trauma and abandonment, there is no evidence of characters with visible or invisible disabilities playing a central role in the plot.
Present on Screen
Limited or Absent
Official Synopsis
The strange and sordid tale of Eadweard Muybridge, the man who accidentally invented motion pictures. The film is told from the point of view of Muybridge's abandoned son and viewed completely through a nineteenth century early cinema contraption called a mutoscope.

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