The Making of 'Evil Dead II' or The Gore the Merrier
2000
No user ratings available yet
Diversity score: 3.8 out of 10
You are here:
Find another title
Type to search for movies. Use arrow keys to navigate suggestions, Enter to select, Escape to close.
Good Taste Made Bad Taste
1988
Director
Tony Hiles
Runtime
25 minutes
Average Rating
No ratings yetSynopsis
A very informative documentary on the making of Peter Jackson's gore classic Bad Taste. Highlights include behind-the-scenes footage, detailed explanations of the special effects, an interview with Peter's mom and dad, and interviews with the cast and crew.
Where to Watch
Diversity & Representation
Overall Score
4.1/10
Fair
Category Breakdown
LGBTQ+ Representation
The documentary centers on the technical mechanics of horror filmmaking. It lacks explicit LGBTQ+ character arcs or narratives that engage with identity or heteronormativity.
Gender Representation
The film prioritizes technical behind-the-scenes aspects, which reflects the male-dominated crew roles of the 1980s indie horror scene. Interviews with the director's parents offer a brief domestic perspective.
Racial & Ethnic Diversity
The production focuses on a localized New Zealand independent project. There is no evidence of intentional intersectional casting or diverse demographic representation within the crew or cast.
Religious & Cultural Diversity
The film celebrates creative rebellion by highlighting a gore classic that defies mainstream sensibilities. It champions non-conformity and the disruption of traditional cinematic hierarchies.
Disability Representation
The documentary provides no evidence regarding the portrayal of physical or neurodivergent identities.
Strengths
- Celebrates transgressive, independent art that challenges mainstream cultural expectations.
- Provides a valuable technical and biographical archive of early genre filmmaking.
Areas for Improvement
- Lacks intentional intersectional casting or diverse demographic representation.
- Focuses heavily on male-dominated technical roles typical of the 1980s indie scene.
- Provides no representation of physical or neurodivergent identities.
AI Analysis
Good Taste Made Bad Taste serves primarily as a technical and biographical archive of Peter Jackson's early DIY filmmaking. It functions as a historical look at special effects and production logistics rather than a study of social identity. While the film lacks intentional demographic diversity, its value lies in its celebration of transgressive, independent art. It highlights a movement that challenges conventional aesthetic and moral standards through low-budget genre filmmaking. Ultimately, the documentary's focus remains on the mechanics of horror and the creative agency of the filmmaker, leaving identity-driven narratives largely unaddressed.
Similar Movies
Dangerous Days: Making Blade Runner
2007
No user ratings available yet
Diversity score: 4.9 out of 10
Videodrome: Forging the New Flesh
2004
No user ratings available yet
Diversity score: 3.6 out of 10
Back to the Well: 'Clerks II'
2006
No user ratings available yet
Diversity score: 4.3 out of 10
Oh, What a Lovely Tea Party
2004
No user ratings available yet
Diversity score: 4.8 out of 10
Supergirl: The Making of the Movie
1984
No user ratings available yet
Diversity score: 3.8 out of 10
Tales from the Mist: Inside 'The Fog'
2002
No user ratings available yet
Diversity score: 4.7 out of 10
No Frank in Lumberton
1988
No user ratings available yet
Diversity score: 4.6 out of 10
Nightmare Factory
2011
No user ratings available yet
Diversity score: 3.6 out of 10
Getting Gilliam
2005
No user ratings available yet
Diversity score: 4.6 out of 10
You're So Cool, Brewster! The Story of Fright Night
2016
No user ratings available yet
Diversity score: 3.6 out of 10
In Camera: The Naïve Visual Effects of 'Bram Stoker's Dracula'
2007
No user ratings available yet
Diversity score: 3.6 out of 10
Rate this Movie
Reviews
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.