
Little Palestine: Diary of a Siege
2021

Representation Score
Excellent
2014
Not RatedDirector
Wiam Bedirxan, Ossama Mohammed
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Silvered Water is a vital piece of decentralized media that replaces professional cinematography with the raw, unmediated gaze of the Syrian citizenry. By utilizing footage from 1,001 contributors, the film successfully bypasses the observer/observed dynamic common in Western news media. The documentary's strength lies in its ability to challenge traditional hierarchies of power and knowledge. It moves beyond mere representation to deconstruct how history is recorded, prioritizing lived experience over centralized storytelling. While the film lacks specific identity-driven narratives for LGBTQ+ or disability categories, it addresses these themes through the broader lens of systemic oppression and the psychological trauma of siege conditions.
Category Breakdown
The film does not explicitly center LGBTQ+ identities or specific plotlines. However, its focus on bodily autonomy and the deconstruction of state violence challenges rigid, straight-centered authoritarian structures.
The documentary disrupts traditional hierarchies by centering the roles of civilians and educators. It bypasses 'great man' history by presenting a horizontal power structure where survival and documentation take precedence.
The film excels by rejecting Western-centric perspectives. Through its participatory methodology, it ensures a non-Western majority perspective, allowing a underrepresented population to reclaim their own image and control over their narrative.
The work provides a profound critique of institutional stability by documenting state collapse. It prioritizes subjective morality and the psychological toll of exile, critiquing the global community's failure to intervene.
The narrative documents the physical and psychological trauma of war, including invisible disabilities like PTSD. It treats psychological fragmentation as a central, lived reality rather than a mere plot device.
Present on Screen
Limited or Absent
Official Synopsis
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

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