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Big Story in a Small City

Big Story in a Small City

Representation Score

4.6/10

Fair

2006

Director

Gor Kirakosian

Runtime

90 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Big Story in a Small City provides a unique cultural perspective by grounding its drama in the specific traditions of Armenia. By setting the narrative in Yerevan, the film moves away from Western clichés and offers a detailed look at Armenian life and social institutions. However, the film's diversity is limited by its heavy reliance on male-driven archetypes and a lack of engagement with LGBTQ+ themes. The narrative tension is primarily built around the intersection of male identities—the academic and the criminal—keeping the gender dynamics traditional. Ultimately, the film is a culturally specific piece that focuses on localized exploration of Armenian life rather than broader characters who reflect more than one aspect of diversity.

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Category Breakdown

Does Big Story in a Small City have LGBTQ+ representation?

Limited

The film does not explicitly include LGBTQ+ characters or explore non-cisgender identities. The story focuses on familial grief and the interaction between civilians and criminals.

How does Big Story in a Small City portray gender?

Fair

The story centers on male characters such as the deceased professor, a crime boss, and the son. The narrative explores domestic grief but does not challenge traditional gender roles.

How racially and ethnically diverse is Big Story in a Small City?

Excellent

The film highlights ethnic specificity by focusing on an Armenian narrative set in Yerevan. It breaks away from Western-centric storytelling by emphasizing a non-Anglo-Saxon setting and cultural nuances.

How does Big Story in a Small City represent religion and culture?

Good

The story delves into Armenian funerary rites and family structures through satire and tragedy. It examines the fragility of social orders and traditional norms through a chaotic, satirical lens.

Does Big Story in a Small City include disability representation?

Minimal

No characters with visible or invisible disabilities are featured. The professor's accidental death serves as a plot device rather than a study of disability.

Present on Screen

  • Offers strong ethnic specificity by centering an Armenian narrative and setting.
  • Breaks from Western-centric storytelling through a non-Anglo-Saxon cultural context.
  • Provides a nuanced look at traditional funerary rites and social institutions.

Limited or Absent

  • Lacks representation of LGBTQ+ identities or non-cisgender narratives.
  • Relies heavily on male-centric archetypes, limiting gender diversity.
  • Does not address disability or neurodivergence within character studies.

Official Synopsis

The feature film is based on true events that changed two families forever. The story, both comical, satirical and a tragedy begins in the city of Yerevan, Armenia. Grigor Janoyan, a professor of agriculture at the University of Yerevan, dies from a freak accident, almost as strange as the events that soon follow. In accordance with Armenian tradition, the relatives bring the deceased into their home for the "viewing" by his friends and family before the burial. The family, consumed with grief fails to realize that the body on the dining room table is not Grigor. A friend of the family, while paying respects, discovers the mistake. Grigors look-a-like, Ruben Pashayan was the head of Armenia's organized crime families. Trouble is inevitable, but as the story continues, Grigor's son Hayk and his friends begin the quest of finding his father's body.

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