The film lacks any evidence of non-cisnormative identities or same-sex intimacy. It follows a traditional ensemble structure typical of late-70s horror, prioritizing heteronormative social dynamics.

While the group of college friends implies a mix of genders, there is no indication of subverted hierarchies. Characters appear to fulfill standard archetypal roles common to the genre.

Indigenous elements are introduced through the spirit Shataba and local Native American lore. However, these characters function primarily as observers rather than central figures with clear agency.

The story utilizes indigenous folklore to build tension, but the framework remains a quintessential Western leisure narrative. It lacks systemic critique or deep cultural exploration.

There is no mention of characters with visible or invisible disabilities. The narrative does not feature neurodivergent or chronically ill individuals.