
El Aduanal
1987

Representation Score
Good
1991
Not RatedDirector
Alex Cox
Runtime
104 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Highway Patrolman is a postmodern critique of state authority that prioritizes systemic deconstruction over individual identity. The film uses a dystopian setting to depict law enforcement as a dehumanizing, mechanistic force rather than a heroic one. While the film lacks depth in LGBTQ+, gender, and disability representation, it excels in cultural subversion. It challenges conventional societal structures by portraying the state as an oppressive entity. Ultimately, the narrative favors a hyper-masculine, industrial survivalism. It explores moral relativism and institutional corruption through a gritty lens.
Category Breakdown
The film does not feature any LGBTQ+ characters or stories. The plot revolves around the protagonist's interactions within a sterile, authoritarian environment.
The story follows a traditional masculine framework, focusing on gritty, industrial masculinity. Female characters have little influence or significant dialogue.
The film lacks a diverse cast and does not delve into non-Anglo-Saxon characters. It emphasizes class conflict and state oppression over racial representation.
The film effectively critiques Western institutions and centralized power. It portrays the state as a repressive, mechanistic, and inherently corrupt force.
Characters are defined by their physical endurance and mechanical operations. There are no meaningful narrative roles for characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
A naïve rookie in the Mexican highway patrol must adapt in order to survive as he contends with widespread corruption, dangerous drug runners and the consequences of his often morally gray actions.

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