
F*ck Love Too
2022

2017
Director
Maurice Barthélemy
Runtime
84 minutes
Average Rating
No ratings yetSynopsis
In Paris, the City of Love, five very different couples cross paths while dealing with break-ups, exes and new love interests. None of them have anything in common. But everyone is someone else’s ex – and love works in mysterious ways…
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film explores romantic entanglement in Paris but lacks explicit confirmation of queer identities. While the setting allows for diverse relationship structures, there is no verifiable evidence of same-sex intimacy.
Gender Representation
The ensemble of five couples suggests a balanced distribution of agency. Female characters appear to navigate emotional autonomy and personal reinvention through the lens of break-ups and new interests.
Racial & Ethnic Diversity
Set in a global metropolitan hub, the narrative has the potential for a multicultural cast. However, it is unclear if the film embraces this cosmopolitanism or depicts a more homogeneous society.
Religious & Cultural Diversity
The story focuses on the messiness of modern romance and secular connections. It avoids traditionalist views of family, favoring a more individualized and situational approach to human partnership.
Disability Representation
There is no mention of characters navigating physical, neurodivergent, or mental health conditions. The narrative does not provide data regarding disability agency or representation.
Strengths
Areas for Improvement
AI Analysis
The Exes functions as a standard contemporary romantic comedy that utilizes its Parisian setting to explore the fluidity of modern relationships. The ensemble structure provides a framework for diverse interpersonal dynamics, yet the film appears to operate within conventional genre expectations. While the narrative avoids rigid, traditionalist views of partnership, it lacks specific, identity-driven arcs that would actively disrupt social norms. The film's diversity is largely a product of its cosmopolitan setting rather than intentional systemic critique. Ultimately, the film offers a neutral exploration of romantic instability without providing clear evidence of deep intersectional representation or specialized focus on marginalized identities.

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