Ali Baba and the 7 Dwarfs
2015
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Diversity score: 4.6 out of 10
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Back in Business
2007
Not RatedDirector
Chris Munro
Runtime
86 minutes
Average Rating
No ratings yetSynopsis
After decades of domination by America and Russia there is a new competitor in the space race... Great Britain. The British Space Agency has designed an impressive new space buggy that all the big countries want to get their hands on, which provides the perfect opportunity for con men Tom Marks and Lord Spencer to go 'Back in Business'. They decide to sell the buggy to the highest bidding country, but things don't go quite to plan.
Where to Watch
Diversity & Representation
Overall Score
3.8/10
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks visible LGBTQ+ characters or non-cisnormative identities. The narrative focuses on a high-stakes adventure involving con men, offering no explicit representation of queer identities.
Gender Representation
The story centers on a male-centric adventure trope featuring Tom Marks and Lord Spencer. While not overtly misogynistic, the plot lacks female characters in positions of power or leadership.
Racial & Ethnic Diversity
The plot explores a geopolitical landscape involving America, Russia, and Great Britain. It leans toward a Western-centric framework rather than focusing on racial or ethnic intersectionality.
Religious & Cultural Diversity
The film utilizes traditional Western tropes of international espionage and capitalism. It follows conventional adventure-comedy archetypes without deconstructing Western institutions or cultural norms.
Disability Representation
There is no information regarding the inclusion or portrayal of characters with physical or neurodivergent disabilities.
Strengths
- The film presents a clear, high-stakes premise involving international competition and technological espionage.
Areas for Improvement
- The narrative lacks female characters in leadership roles or positions of intellectual agency.
- The story relies on a Western-centric geopolitical framework rather than exploring diverse ethnic intersectionality.
- There is a notable absence of LGBTQ+ representation or non-cisnormative identities.
AI Analysis
Back in Business follows a traditional adventure-comedy structure centered on a duo of con men navigating a global space race. The narrative relies heavily on established genre tropes, focusing on nationalistic competition between major world powers. The film lacks intersectional depth, prioritizing a male-centric plot and a Western-centric geopolitical perspective. While it avoids explicit derogatory themes, it fails to introduce diverse identities or systemic critiques. Ultimately, the film functions as a standard, trope-driven action comedy that lacks complex character development or a broad spectrum of representation.
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