
The Three
2020

Representation Score
Limited
2014
Director
Anna Melikyan
Runtime
128 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Anna Melikyan’s *Star* functions as an intimate character study rather than a sociopolitical critique. It succeeds in deconstructing social facades through a multi-narrative structure that prioritizes individual ability to act over systemic commentary. The film's primary strength lies in its nuanced portrayal of women. By centering the internal landscapes of its female leads, the story disrupts traditional male-driven plot structures. However, the film lacks multi-layered breadth. The narrative remains within a relatively uniform demographic framework, offering little representation regarding racial or LGBTQ+ identities.
Category Breakdown
The film does not include any LGBTQ+ characters or storylines. Romantic arcs focus on traditional pairings and do not address queer identities.
Female characters have significant emotional ability to act. The narrative explores the complexities of professional women and avoids submissive archetypes.
The cast appears largely homogeneous within a Moscow setting. The film does not use diverse ethnic blending as a narrative device.
The story focuses on subjective morality and individual happiness. It portrays the urban professional class without challenging traditional institutions.
There is no evidence of characters navigating physical or neurodivergent disabilities. Disability is not used as a plot device.
Present on Screen
Limited or Absent
Official Synopsis
Three different persons, three different lives are connected in a mysterious way. 15 year old teenager suffering of misunderstanding, his glamorous and arrogant stepmother and the young untalented but full of optimism actress. Their destinies aren’t predetermined and their lives are very fragile.

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