
Meridiano 100
1976

Representation Score
Good
1974
Director
Mauricio Walerstein
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Mauricio Walerstein’s work exemplifies Third Cinema by challenging colonial narratives. The film excels by centering Latin American identity and critiquing Western-centric power dynamics. However, it limits representation of LGBTQ+ identities and gender diversity, focusing instead on political and socioeconomic themes. The film’s strength lies in its critique of imperialism, shifting the focus from Western heroes to local actors.
Category Breakdown
The film focuses on the collective struggle of a revolutionary cell. There is no evidence of non-binary gender identities or same-sex relationships among the main characters.
The film emphasizes male-driven militant leadership. Women play supporting roles, while male characters are given primary ability to act through traditional masculine roles.
The film highlights Latin American identity. It breaks Hollywood stereotypes by giving local actors full ability to act to drive the story from a non-Western perspective.
The film critiques Western dominance and capitalism. It portrays state authority as oppressive and frames resistance as a means of liberation.
There is no significant focus on visible or invisible disabilities. Characters are defined by political convictions and socioeconomic status rather than physical or neurodivergent experiences.
Present on Screen
Limited or Absent
Official Synopsis
1964, in a Latin American country, a journalist is head of an armed liberation movement that decides to initiate radical actions. His second in command, a farmer, and the other members of the group will kidnap a north american colonel stationed in Venezuela to force his government to suspend the execution of the vietnamese Nguyen Van Troi, accused of trying to assassinate the American Secretary of Defense, Robert McNamara.

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