
The Eye
2008

2016
Not RatedDirector
Andy Mitton, Jesse Holland
Runtime
89 minutes
Average Rating
No ratings yetSynopsis
Paralyzed by his fear of dying, Miles Grissom takes out an advert offering $30,000 in reward money to the first person who can show him evidence of an angel, a demon, or prove that ghosts exist - anything to prove to him that we go on after our deaths. He narrows the responses down to three viable candidates - a scientist, a medium, and a worldly entrepreneur. Along with his protective mother, he embarks on an adventure through Los Angeles that will spiral into an unthinkable nightmare.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit mention of LGBTQ+ characters or non-cisnormative identities. The narrative arc does not appear to address heteronormativity or queer experiences.
Gender Representation
The story centers on a male protagonist driven by existential fear. While a protective mother provides support, the film maintains a traditional familial structure without subverting gender hierarchies.
Racial & Ethnic Diversity
Despite being set in a demographically diverse Los Angeles, the characters are presented through archetypes like 'scientist' and 'medium.' There is no evidence of specific racial or ethnic representation.
Religious & Cultural Diversity
The plot explores the tension between secularism and spirituality regarding the afterlife. However, it focuses on individual existentialism rather than a systemic critique of religious or cultural institutions.
Disability Representation
The protagonist is defined by a profound psychological paralysis rooted in the fear of death. This centralizes internal mental struggle, though the depth of this portrayal remains unverified.
Strengths
Areas for Improvement
AI Analysis
We Go On functions primarily as a genre-driven psychological thriller focused on individual existential dread. The narrative structure relies on traditional archetypes and familial roles, which limits its engagement with broader social identities. While the film centers on a character experiencing intense psychological paralysis, it does not move beyond individualistic horror into systemic or intersectional territory. The setting of Los Angeles offers potential for diversity, yet the character descriptions remain largely neutral. Ultimately, the film prioritizes the protagonist's internal journey over the deconstruction of social hierarchies or the inclusion of diverse lived experiences.

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