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Feeling Blue and 31

Name: Feeling Blue and 31
Director: Ali Yorgancıoğlu
Released: 2010

Representation Score

4.1/10

Fair

2010

Director

Ali Yorgancıoğlu

Average Rating

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New Showbiz Analysis

Feeling Blue and 31 is a naturalistic comedy that reimagines traditional masculine archetypes by presenting vulnerable and socially awkward male leads. The film's success lies in its improvisational and secular approach to storytelling. However, it falls short in terms of broad demographic diversity, focusing primarily on a specific group of young men. Female characters are often sidelined into traditional supporting roles. Additionally, there is no representation of characters with disabilities.

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Category Breakdown

Does Feeling Blue and 31 have LGBTQ+ representation?

Limited

The film explores the sexual frustrations of two young men but does not include specific LGBTQ+ character arcs or queer-coded narratives.

How does Feeling Blue and 31 portray gender?

Fair

The movie challenges traditional masculine stereotypes by depicting the male leads as bumbling and socially inept. Female characters tend to serve as catalysts for the male characters' development rather than having their own substantial roles.

How racially and ethnically diverse is Feeling Blue and 31?

Fair

As a Turkish production, the film offers a non-Western perspective focused on a specific demographic of young men within a localized cultural context.

How does Feeling Blue and 31 represent religion and culture?

Good

The story employs a playful, secular approach to spirituality by featuring the mythological figure Eros. It addresses sexual taboos with a liberal, non-traditional comedic style.

Does Feeling Blue and 31 include disability representation?

Minimal

There is no evidence of characters with physical, neurodivergent, or mental health disabilities in the film.

Present on Screen

Challenges traditional masculine stereotypes by showing men as vulnerable and socially awkward.
Provides a non-Western perspective on comedy through its Turkish production and localized context.
Uses a playful, secular approach to mythology and spirituality through the character of Eros.

Limited or Absent

Female characters may fall into traditional supporting roles rather than having their own substantial arcs.
The film lacks broad demographic diversity, focusing primarily on a specific group of young men.
There is no visible representation of characters with physical or neurodivergent disabilities.

Official Synopsis

31 is popular Turkish slang for masturbation. Feeling Blue and 31 is the story of two young men whose lives quite literally come to rest upon the performance of their appendages. Ege and Kerem are 25-year-old virgins who masturbate excessively. One day Eros appears to them and threatens to castrate them if they fail to get laid within the subsequent seven days. Thus begins an often hilarious, tragic- comic struggle to have sex which involves a dance class, bar-hopping and sultry neighbours. Shot as the result of a bet over just 24 hours, the film has a winningly natural feel, in large part due to the directors’ decision to allow the actors to improvise dialogue within the framework of each scene. First-time actors Ozan Özcan and Deniz Alnıtemiz are perfect as the bumbling, funny and frequently terribly embarrassing leads who come across a bit like Turkey’s answer to ‘Flight of the Conchords’. Destined for cultish fame, Feeling Blue and 31 makes its world premiere at !f.

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