
The Day Before the End
2016

Representation Score
Fair
2016
TV-14Director
Lionel Rupp, Mike Scheiwiller, Benny Jaberg, Jonas Meier, Jan Gassmann, Tobias Nölle, Gregor Frei, Michael Krummenacher, Lisa Blatter, Carmen Jaquier
Runtime
99 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Heimatland uses an apocalyptic setting to look at societal stability and the tension between state institutions and individuals in Switzerland. The film's collaborative directorial approach suggests a community-driven storytelling method. The story seems to challenge uniform national identities by focusing on immigration and systemic collapse. This focus allows for a critique of how social contracts fail during emergencies. While specific character roles aren't fully detailed, the themes point to a social drama questioning traditional views of national unity and governance.
Category Breakdown
The film doesn't show clear LGBTQ+ character arcs or non-straight relationships. It stays neutral without promoting or criticizing these identities.
Multiple women directors work together, challenging typical male dominance. Luna Arzoni's prominent role suggests a strong female presence in the story.
Soumeya Ferro-Luzzi and the mention of immigrants indicate a focus on diverse ethnic backgrounds. This likely highlights how underrepresented groups face challenges during national crises.
An apocalyptic storm is used to criticize stable Western institutions. State authority is shown as possibly inadequate or obstructive when systems break down.
There is no information available to determine if characters with visible or invisible disabilities are portrayed in the film.
Present on Screen
Limited or Absent
Official Synopsis
An apocalyptical storm threatens to wipe out an entire country. A state of emergency is raised while mayhem breaks out.

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