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Robin Hood of Monterey

Name: Robin Hood of Monterey
Director: Christy Cabanne
Released: 1947
Duration: 56 min

Representation Score

2.6/10

Limited

1947

PG-13

Director

Christy Cabanne

Runtime

56 minutes

Average Rating

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New Showbiz Analysis

Robin Hood of Monterey is a traditional 1947 Western that relies heavily on mid-century genre clichés. While it deviates from the era’s Anglo-centric norms by featuring Mexican-American protagonists, it remains socially conservative in its themes. The film grants significant influence to characters of color, particularly the Cisco Kid and Pancho, who navigate a conventional hero-villain dynamic rather than challenging social hierarchies. Gender and LGBTQ+ representation are minimal, adhering to the period’s focus on straight-centered romantic melodrama. The narrative prioritizes individual justice over broader explorations of diverse identities.

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Category Breakdown

Does Robin Hood of Monterey have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or themes.

How does Robin Hood of Monterey portray gender?

Limited

Women in the film mainly serve as catalysts for melodrama and conflict, while men hold positions of authority and protection.

How racially and ethnically diverse is Robin Hood of Monterey?

Fair

The film centers Mexican-American characters and settings, providing more ethnic diversity compared to typical Anglo-centric Westerns.

How does Robin Hood of Monterey represent religion and culture?

Fair

The story emphasizes personal morality and family conflicts, but does not critically examine broader societal or cultural institutions.

Does Robin Hood of Monterey include disability representation?

Minimal

There are no visible or invisible disabilities among the main characters.

Present on Screen

The film highlights Mexican-American protagonists who play key roles in the narrative.
The setting offers a culturally unique backdrop that contrasts with typical Anglo-centric Westerns.

Limited or Absent

Women in the film are confined to roles of domestic intrigue and romantic deception.
The story lacks representation of LGBTQ+ identities or non-conforming gender expressions.
The narrative focuses on binary morality instead of delving into complex social or systemic issues.

Official Synopsis

Eduardo Belmonte overhears his new step-mother, Maria, and her lover, Don Ricardo Gonzales plotting to take over the Belmonte rancho on the night of the fiesta given by her husband, Don Carlos Belmonte. Eduardo offers Maria money if she will depart the hacienda premises, but she refuses and then accuses Eduardo of making love to her. The old Don doesn't take kindly to his son hitting on his step-mother and attacks him in a rage. The lights go out, the father is killed and Maria blames Eduardo, who escapes from the house, chased by Ricardo's men. The Cisco Kid and Pancho rescue Eduardo, who has been shot, and hide him while they investigate. Cisco discovers that bullets from Maria's gun, a handy little derringer, are the same type that killed Don Carlos. But the Alcalde arrests Cisco and Pancho, and Cisco is "supposedly" executed by a firing squad, but IS NOT shot and escapes by a trick. And now Maria and Ricardo are in real trouble with Cisco on the loose.

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