The film lacks any LGBTQ+ characters or non-cisnormative identities. The village social framework is depicted through a traditional lens without queer presence.

Narrative agency is concentrated among male villagers like Husin and Pak Abu. Women appear within conventional roles that adhere to established social structures.

The cast is highly homogeneous, reflecting a specific rural Malaysian ethnic identity. This provides cultural authenticity to the setting rather than multi-ethnic blending.

Islamic elements and local spiritualism serve as the community's foundational reality. The story treats traditional belief systems as the standard for interpreting the supernatural.

There is no representation of physical or neurodivergent disabilities. Characters are defined by their reactions to ghosts rather than lived experiences of disability.