
Chrysalis
2014

2008
RDirector
Joel Soisson
Runtime
89 minutes
Average Rating
No ratings yetSynopsis
The world has been reshaped by the invasion of ghosts via the wireless internet. Cities are deserted, technology has been destroyed and the few remaining human beings eschew anything electrical in order to avoid a confrontation with the soulless ghosts that now wander the planet. Most of the ghosts are doomed to a repetitive loop of something they did while they were still despairing humans (a man repeatedly hangs himself, for example), but there are some ghosts so locked in denial, they do not know they are dead. They continue to haunt their homes, wrapped in fear that their souls will soon be torn from them.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on a post-technological apocalypse driven by supernatural entities. There is no evidence of LGBTQ+ characters or critiques of heteronormativity within the narrative.
Gender Representation
The story describes a few remaining humans in a deserted world. However, it lacks specific details regarding gender dynamics or the distribution of agency among characters.
Racial & Ethnic Diversity
The setting is a desolate landscape focused on existential threats. The narrative does not indicate a non-white majority cast or any use of racial intersectionality.
Religious & Cultural Diversity
Themes of death and the afterlife intersect with spiritual frameworks. The film leans toward a traditional survivalist framework rather than critiquing Western institutions or organized religion.
Disability Representation
There is no evidence regarding the portrayal of physical or neurodivergent disabilities within the character arcs or plot.
Strengths
Areas for Improvement
AI Analysis
Pulse 2: Afterlife is a genre-driven exploration of supernatural dread and technological collapse. The narrative architecture prioritizes the mechanics of a ghost invasion and the psychological despair of the deceased over social commentary. Because the film adheres to traditional horror tropes centered on individual survival, it lacks the deconstruction of social hierarchies or the promotion of progressive identity politics. The focus remains strictly on the existential threat posed by soulless ghosts. Ultimately, the film functions as a survivalist horror piece. It does not engage with intersectional representation or systemic subversion, resulting in a low diversity score.

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