The film lacks explicit evidence of non-heteronormative identities or queer narratives. The central relationship between Joshua and Penelope follows a conventional survivalist lens without visible queer agency.

Penelope provides female agency within a violent, high-stakes environment. However, the narrative follows standard survivalist tropes where gender roles are largely dictated by the immediate setting.

The casting of Tanya Thai McBride suggests an attempt to move beyond a strictly homogeneous ensemble. It remains unclear if this ethnic diversity serves a central thematic purpose.

The post-apocalyptic setting critiques the stability of modern institutions like government and religion. This appears to be a genre requirement rather than a deliberate ideological deconstruction.

There is no mention of characters navigating neurodivergence or physical disabilities. The infected antagonists function as biological plot devices rather than nuanced explorations of disability.