The film is confined to a homogenous masculine military environment. It offers no evidence of non-cisnormative identities or critiques of heteronormativity.

Operating within a strictly patriarchal framework, the film lacks female characters. The narrative focuses entirely on male-dominated military structures and traditional masculine archetypes.

The cast reflects the historical constraints of WWI British and German units. It does not utilize diverse ethnic representation to challenge the social realities of the period.

The film provides a sophisticated critique of Western military institutions. It replaces the glory of war with a depiction of systemic failure and imperialist madness.

Psychological trauma serves as a plot driver for horror rather than a nuanced portrayal of mental health. Characters' states facilitate madness rather than providing agency.