The film prioritizes visceral wartime survival and military camaraderie over romantic tropes. While it lacks explicit depictions of queer identities, the focus on raw survivalist bonds offers a departure from conventional heteronormative storytelling.

Women in the film occupy high-stakes, combat-oriented roles rather than domestic ones. They navigate the male-dominated landscape of the Donetsk Airport with significant agency, avoiding the typical damsel in distress trope.

The narrative portrays a multi-ethnic volunteer force that reflects the complex demographic tapestry of Ukraine. It moves away from a monolithic military portrayal by highlighting various ethnic and regional identities.

The story critiques established power structures and the dehumanizing effects of systemic conflict. It uses the 'Cyborgs' moniker as a metaphor for the deconstruction of human identity under the pressure of modern warfare.

The film depicts the physical and psychological toll of combat through visible and invisible injuries. Characters navigate their trauma and limitations with agency, avoiding exploitative portrayals in favor of gritty realism.