You are here:

The Stranger and the Gunfighter

Name: The Stranger and the Gunfighter
Director: Antonio Margheriti
Released: 1974
Duration: 107 min

Representation Score

1.1/10

Minimal

1974

Director

Antonio Margheriti

Runtime

107 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film operates as a conventional genre piece that upholds the social norms of its time. It leans heavily on established clichés rather than attempting to challenge them. While the inclusion of Chinese characters adds some ethnic variety, the narrative remains centered on Western frontier dynamics. The most pressing issue is the portrayal of women as mere plot devices rather than fully realized characters. Overall, the film prioritizes action and the pursuit of wealth over nuanced or diverse character development.

Watch this, not that →

Category Breakdown

Does The Stranger and the Gunfighter have LGBTQ+ representation?

Minimal

The film does not include any representation of non-binary genders or same-sex relationships. The storyline focuses solely on a traditional treasure hunt driven by male characters.

How does The Stranger and the Gunfighter portray gender?

Limited

Women are portrayed as passive tools used by the male protagonists. The plot depends on the objectification of widows, who act as literal guides for a treasure hunt.

How racially and ethnically diverse is The Stranger and the Gunfighter?

Fair

Characters of Chinese descent such as Wang and Ho bring ethnic diversity to the predominantly Western setting. However, these roles rely on outdated Orientalist stereotypes typical of 1970s genre films.

How does The Stranger and the Gunfighter represent religion and culture?

Limited

The story adheres to conventional Spaghetti Western themes of lawlessness and individualistic violence. It emphasizes inheritance and wealth without critiquing Western social structures.

Does The Stranger and the Gunfighter include disability representation?

Minimal

There is no indication of the portrayal of physical or neurodivergent disabilities in this film.

Present on Screen

The inclusion of Chinese characters like Wang and Ho introduces ethnic diversity.

Limited or Absent

The film heavily objectifies women, using them as tools for the plot.
Portrayals of non-Western characters rely on outdated stereotypes.
The narrative lacks any representation of LGBTQ+ identities or neurodivergent perspectives.

Official Synopsis

During a hold-up in the Wild West, Dakota kills a rich old Chinese man, Wang. Later, he is captured, sentenced, and is about to be hanged - and he never profitted from Wang's death, has he buried him with the photographs of his four widows, and a few worthless papers. Meanwhile, Ho comes to America in search of his uncle's fortune, and must get Dakota free, as he his the only man who can lead him to Wang's tomb. They open the tomb, retaking the pictures of Wang's widows. It happens he reads the papers and knows that Wang had one quarter of a map tattooed in each of his women's buttocks. Now, the difficult part will really start... Treasure hunt.

How are these scores produced? →