
When the Girls Take Over
1962

Representation Score
Fair
1965
Director
Andy Warhol
Runtime
66 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Andy Warhol’s portraiture disrupts conventional biographical expectations by prioritizing raw, unmediated presence over polished narrative arcs. The film excels in its multi-layered approach to ethnicity and culture, providing a powerful non-Western perspective through the Cuban Revolution and a Latina protagonist. However, the film remains limited in its scope. It offers very little engagement with LGBTQ+ identities or disability representation, focusing instead on the political and domestic biography of the subject.
Category Breakdown
The film does not include any explicit representations of LGBTQ+ identities or non-cisgender gender expressions. There is no room for queer-coded subtext in the narrative, which focuses on domestic and political biography.
The work challenges traditional hierarchies by centering the narrative on the female experience. Through long, continuous takes, the film shifts the focus to highlight the intellectual and emotional ability to act of a woman.
The film provides significant representation by centering a Latina protagonist. It avoids the typical white gaze of the 1960s by allowing the subject to define her own cultural context.
The narrative critically examines Western hegemony and capitalist structures. It presents a perspective that challenges the perceived moral superiority of Western institutions through the Cuban revolutionary experience.
There are no specific depictions of visible or invisible disabilities that drive the narrative or serve as character traits.
Present on Screen
Limited or Absent
Official Synopsis
A playwright taunts a number of actors into improvising a truly ridiculous but subtlely meaningful meditation on Fidel Castro and his family.

1962

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