
Au suivant !
2005

2015
Director
Calvito Leal
Runtime
78 minutes
Average Rating
No ratings yetSynopsis
Hortência is a dedicated, dreamy TV reporter, who hopes to stop doing boring reports and become an anchor of the local news. When she learns that the newspaper's anchor is about to be fired, she is excited about the big opportunity, but Vanessa also wants the job. Needing to find a way to secure her new post, Hortência invents a serial killer and starts "investigating" the case.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit evidence of LGBTQ+ characters or narratives. It appears to follow traditional comedic structures that rely on conventional social dynamics rather than critiquing heteronormativity.
Gender Representation
The story centers on female agency and professional competition. The rivalry between Hortência and Vanessa drives the plot, moving women away from passive roles through their shared ambition.
Racial & Ethnic Diversity
The cast features prominent Brazilian actors, but the narrative does not highlight intersectional casting. There is no specific evidence of high-agency characters of color challenging demographic norms.
Religious & Cultural Diversity
The film operates as a commercial comedy focused on individualistic success. It lacks themes of anti-capitalism or the deconstruction of Western institutions and social hierarchies.
Disability Representation
There is no information regarding the inclusion of characters with visible or invisible disabilities. No evidence of such representation is present in the narrative.
Strengths
Areas for Improvement
AI Analysis
The film is a character-driven comedy that prioritizes individual ambition over social commentary. While it avoids some traditional tropes by centering on female professional rivalry, it remains within the bounds of mainstream entertainment. The narrative lacks intersectional complexity and does not attempt to subvert systemic hierarchies. It functions primarily through conventional comedic structures rather than progressive or inclusive storytelling. Ultimately, the work adheres to established industry baselines, offering limited depth regarding racial, cultural, or LGBTQ+ representation.

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