
We Three Kings
2020

2013
Director
Corbin Bernsen
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Oliver is a bright 12-year-old who lives in the shadow of his parents' loss of their first son. His family appears fine on the outside, but is broken behind closed doors. As they work out their faith, Oliver is left to grapple with his own belief in God and the answers to life's biggest questions: Why am I here? What happens after death? Who made us? An angel disguised as a quirky traveler is sent to help him bring the pieces of the puzzle together. As Oliver's struggles cause him to look to science for answers, he discovers God is found by faith not by sight.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on a nuclear family unit navigating grief and spiritual inquiry. There is no evidence of non-cisnormative gender identities or same-sex intimacy.
Gender Representation
The story centers on a child and his parents within a traditional domestic hierarchy. It emphasizes the restoration of the family unit rather than subverting gender roles.
Racial & Ethnic Diversity
The narrative follows a conventional, homogeneous character model. There is no explicit mention of a diverse cast or non-Anglo-Saxon majority.
Religious & Cultural Diversity
The film is rooted in traditional Western religious values. It promotes a singular Christian morality, reinforcing the sanctity of the family and religious faith.
Disability Representation
While the film explores psychological themes of grief, there is no specific evidence regarding the portrayal of physical disabilities or neurodivergence.
Strengths
Areas for Improvement
AI Analysis
Beyond the Heavens operates within a highly traditional and conservative storytelling framework. The narrative prioritizes the reinforcement of established religious and familial institutions, focusing on a nuclear family's journey through grief and faith. The film lacks significant breadth in its representation of identity. It adheres to heteronormative structures and a homogeneous character model, offering little exploration of diverse racial, ethnic, or LGBTQ+ perspectives. Ultimately, the work functions as a faith-based drama that seeks to uphold conventional social hierarchies rather than deconstruct or expand them through diverse characterization.

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