You are here:

Liebesgrüße aus der Lederhose 2: Zwei Kumpel auf der Alm

Name: Liebesgrüße aus der Lederhose 2: Zwei Kumpel auf der Alm
Director: Franz Marischka
Released: 1974
Duration: 91 min

Representation Score

0.9/10

Minimal

1974

Director

Franz Marischka

Runtime

91 minutes

Average Rating

No ratings yet

New Showbiz Analysis

This sequel functions as a traditional regional comedy that upholds established social hierarchies. The narrative relies on conventional archetypes and a mono-ethnic, localized Bavarian setting. Representation is limited, emphasizing regional homogeneity and traditional gender roles. The focus remains on the comedic interactions of male protagonists within a culturally specific framework. Ultimately, the film maintains rather than challenges traditional social norms, offering little diversity in terms of identity or perspective.

Watch this, not that →

Category Breakdown

Does Liebesgrüße aus der Lederhose 2: Zwei Kumpel auf der Alm have LGBTQ+ representation?

Minimal

The film focuses solely on heterosexual relationships and does not include any LGBTQ+ characters or narratives.

How does Liebesgrüße aus der Lederhose 2: Zwei Kumpel auf der Alm portray gender?

Limited

The story centers around two male friends, with female characters serving mainly as secondary catalysts rather than as independent drivers of the plot.

How racially and ethnically diverse is Liebesgrüße aus der Lederhose 2: Zwei Kumpel auf der Alm?

Minimal

The film highlights a Bavarian farm setting with a predominantly mono-ethnic German cast, lacking diverse racial and ethnic representation.

How does Liebesgrüße aus der Lederhose 2: Zwei Kumpel auf der Alm represent religion and culture?

Limited

The movie celebrates traditional rural life and customs, reinforcing the stability of established social orders and regional institutions.

Does Liebesgrüße aus der Lederhose 2: Zwei Kumpel auf der Alm include disability representation?

Minimal

There are no characters with physical or invisible disabilities mentioned, nor is there any representation of neurodivergence.

Present on Screen

The film effectively celebrates regional Bavarian identity and local hospitality.

Limited or Absent

The narrative lacks racial and ethnic diversity, focusing almost exclusively on a mono-ethnic experience.
Female characters have limited roles and ability to act within the story.
There is no representation of LGBTQ+ characters or non-straight-centered narratives.

Official Synopsis

A sequel directed again by Franz Marischka. The two Ruhrpott buddies Jupp and Erwin can't quite agree on where to spend their vacation. In the end, they end up in Bavaria to spend their vacation on a farm. To their delight, they discover that the village is a hotbed of activity. This is not least thanks to the landlord Sepp, who goes out of his way to make his female vacation guests happy.

How are these scores produced? →