The film lacks explicit confirmation of non-cisnormative identities or same-sex dynamics. While folk horror often uses outsider metaphors for queer experiences, no specific romantic arcs are present.

Grace serves as a central female protagonist navigating a hostile wilderness. She demonstrates survivalist agency, though the film does not explicitly deconstruct traditional masculine roles or gender hierarchies.

A multi-ethnic ensemble is suggested by names like Gautier de Fontaine and Lawrence Ola. However, it remains unclear if these characters possess high agency or follow traditional casting patterns.

As a folk horror, the film explores isolated, superstitious environments. This setting suggests a departure from standard Western morality, potentially critiquing established social orders through its twisted themes.

There is no mention of characters with visible or invisible disabilities in the cast or narrative description.