You are here:

The Enemy

Name: The Enemy
Director: Dejan Zečević
Released: 2011
Duration: 108 min

Representation Score

2.1/10

Limited

2011

Director

Dejan Zečević

Runtime

108 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The Enemy is a genre-driven psychological thriller that prioritizes atmospheric tension and systemic paranoia over demographic representation. It functions as a localized study of a specific cultural moment in Serbia, focusing on the breakdown of social cohesion following war. While the film offers a sophisticated critique of institutional corruption and the manipulation of truth, it lacks the intentionality required to advance progressive identity-based narratives. The focus remains on masculine-coded conflict and survival. Ultimately, the work leans toward a skeptical view of traditional societal structures rather than exploring varied identities.

Watch this, not that →

Category Breakdown

Does The Enemy have LGBTQ+ representation?

Minimal

The film focuses on a male-dominated ensemble in a high-tension, post-war setting. There is no visibility for LGBTQ+ identities or queer narratives.

How does The Enemy portray gender?

Limited

The cast is predominantly male, adhering to traditional genre clichés. Female professionals such as a journalist and a doctor appear but fit conventional archetypes.

How racially and ethnically diverse is The Enemy?

Fair

Set in a post-war Serbian context, the cast is largely homogeneous. The film reflects localized historical reality rather than utilizing diverse ethnic blending.

How does The Enemy represent religion and culture?

Good

The narrative critiques institutional stability and media manipulation. It explores how centralized power and systemic corruption can erode truth and individual control.

Does The Enemy include disability representation?

Minimal

There is no discernible focus on physical disability, neurodivergence, or chronic illness. Characters are defined by their roles in the central mystery.

Present on Screen

Offers a sophisticated critique of institutional corruption and the manipulation of truth.
Provides a localized, culturally specific study of post-war Serbian tension.
Effectively explores themes of paranoia and the erosion of individual control.

Limited or Absent

Lacks visibility for LGBTQ+ identities or queer narratives.
Relies on traditional gender archetypes rather than challenging existing hierarchies.
Provides minimal representation for disability or neurodivergent perspectives.

Official Synopsis

The story begins a couple days after the war has ended. A group of Serbian soldiers in charge of clearing the fields from mines discovers a man sealed inside a factory's basement. A mysterious man says he is 'ours', he doesn't feel cold, isn't hungry and only asks for cigarettes. As soon as he is brought along, people start disappearing, and the infighting begins. Who is the mystery man?

How are these scores produced? →