The film features Nazda, a trans woman, whose encounter serves as a pivotal plot catalyst. Rather than acting as a punchline, she is integrated into the central tension of the drug negotiation.

Female characters like Angie and the Russian client's wife possess agency that drives the plot's volatility. However, the story remains heavily centered on masculine-coded worlds of gambling and drug trafficking.

The setting in São Paulo facilitates a multi-ethnic narrative involving Americans, Russians, and African buyers. Wemba, a Nigerian dishwasher, becomes a primary agent of the plot, disrupting traditional racial hierarchies.

The film critiques Western stability by portraying exiled Americans in a state of decadence. It replaces traditional institutions with the transactional, nihilistic logic of a gritty underworld.

There is no significant evidence regarding the portrayal of visible or invisible disabilities within the narrative.