The film lacks LGBTQ+ characters or non-cisnormative identities. Interpersonal dynamics focus on heteronormative archetypes and male-driven camaraderie.

The narrative is heavily male-centric, relying on traditional masculine archetypes of leadership. While Amelia Earhart appears, female characters function as supporting elements rather than central drivers.

A global array of historical figures provides visual and cultural breadth. However, portrayals often lean toward historical archetypes rather than deep, intersectional character studies.

The film follows a traditional Western heroic structure centered on established institutions. It avoids critiques of Western hegemony, framing the museum as a site of wonder.

There is no intentional focus on visible or invisible disabilities. Characters are defined by historical status or comedic archetypes rather than neurodivergence or physical disability.