
Mallory
2015

Representation Score
Good
2001
Director
Tom Alandh
Runtime
60 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Tom Alandh’s documentary serves as a piece of social realism that challenges traditional narratives of societal success. By focusing on Pia, a woman battling homelessness and addiction, the film shifts the emphasis from broad systemic issues to the personal ability to act of those affected. The film stands out by refusing to sanitize the harsh realities of social order. It grounds the narrative in the informal economy, such as newspaper sales, to depict the true nature of survival. However, specific demographic data regarding race and LGBTQ+ identities is lacking.
Category Breakdown
The film doesn't provide specific information about the sexual orientations or gender identities of its subjects. There's no indication of straight-centered assumptions either.
The documentary focuses on Pia, a woman facing extreme economic hardships. It avoids traditional stereotypes about women and instead presents a complex picture of womanhood that challenges conventional ideas about feminine stability.
There isn't enough information to determine the racial makeup of the subjects. The score reflects a standard expectation for social realism documentaries to represent diverse urban populations.
The film offers a nuanced look at Western social safety nets by focusing on addiction as a survival issue rather than a moral failing. It presents a subjective perspective on social dysfunction.
The film examines mental health issues and the psychological impact of homelessness. It highlights Pia’s ability to navigate her daily struggles with dignity, avoiding the trap of portraying her solely as a pitiful figure.
Present on Screen
Limited or Absent
Official Synopsis
This documentary follows Pia, who is homeless. She is struggling with her drug addiction. During the day she (and many other homeless people) sells the newspaper Situation Sthlm.

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