Titanic

All romantic pairings are heterosexual. No same-sex intimacy, queer characters, or non-binary identities appear on screen.

Rose DeWitt Bukater rejects a wealthy fiancé to choose a poor artist. Cal Hockley, the controlling husband, drowns as the film’s final moral punchline. Rose keeps the diamond and the last word.

The cast is predominantly white. Class divides the passengers, not race. No non-white characters hold significant screen time or narrative power.

Old-world aristocracy is portrayed as hollow and cruel. Third-class communal bonds are the moral ideal. Wealth is treated as a source of corruption, not virtue.

Absent. No characters with lasting physical or cognitive impairments are depicted. No disabled bodies are present in the narrative.