The film focuses almost exclusively on a male-centric peer group. There is no discernible presence of non-cisnormative identities or narratives engaging with queer theory.

The narrative is heavily skewed toward male perspectives and experiences. It lacks female agency, functioning instead within a male-dominated social vacuum.

The film excels by centering a predominantly Filipino cast reflecting Manila's socioeconomic reality. It avoids Western-centric casting norms and whitewashing.

The story provides a sophisticated critique of systemic neglect and capitalism. It frames survival-based transgressions as byproducts of structural failures rather than inherent criminality.

The film touches on the physical and mental toll of poverty. However, no characters with visible or invisible disabilities are afforded central agency.