
I, a Man
1967

Representation Score
Good
1968
AODirector
Andy Warhol, Paul Morrissey
Runtime
86 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film is a radical work that disrupts traditional narratives by focusing on non-traditional identities. By highlighting gender fluidity and sexual autonomy, it effectively challenges the norms of mid-century cinema. However, the approach to racial diversity is limited. While there is a scene with Latin American men, their inclusion feels more like a stylistic choice rather than a consistent theme. Ultimately, the film’s strength lies in its rejection of traditional Western moralities and its celebration of a bohemian, non-productive lifestyle.
Category Breakdown
The film focuses on Ondine, a character with a gender-fluid identity and sexual autonomy. This emphasis challenges traditional expectations by prioritizing personal desires over conventional courtship rituals.
The narrative overturns traditional hierarchies by giving Ondine significant control over her life. The film avoids portraying Ondine as a submissive woman, instead showing her as an autonomous individual who challenges the patriarchal structures of the 1960s.
The film includes a brief scene with a group of Latin American men, which provides a momentary disruption. However, their roles feel more like a stylistic vignette than a fully developed part of the story.
The film celebrates a bohemian, secular lifestyle that rejects bourgeois morality. It portrays social detachment and the rejection of conventional rules as a form of freedom.
There are no prominent depictions of visible or invisible disabilities. The narrative does not use disability as a plot device or provide meaningful representation of disabled individuals.
Present on Screen
Limited or Absent
Official Synopsis
Ondine is a gay man attempting to re-adjust his sexuality via various encounters with different women. After trying his luck with three women, Ondine becomes a background character in a sequence in which a group of Latin American men, calling themselves The Bananas, engage in a food fight. Ondine then engages in a wrestling match with Joe Dallesandro, who is married to Brigid Berlin.

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