
We Think the World of You
1988

2018
Director
Natalya Meshchaninova
Runtime
124 minutes
Average Rating
No ratings yetSynopsis
Egor is a vet at a training facility for hunting dogs in a remote region of the country. Surrounded by foxes, deer, badgers, and dogs, he lives in a small building next to the house of the facility's master. He treats the dogs, cleans the kennels, oversees the workers, and meets with clients and their dogs. It's easier for him to get along with dogs than with people. Egor is willing to take on any job to get closer to the facility's master and his near and dear. He wants the impossible - to become a member of that family.
Overall Score
Minimal
Category Breakdown
LGBTQ+ Representation
The film lacks any visible LGBTQ+ characters or narratives addressing non-cisnormative identities. The story focuses entirely on the protagonist's professional life and his desire for familial belonging.
Gender Representation
The narrative centers on a male protagonist, Egor. While his emotional vulnerability moves away from stoic masculinity tropes, there is no explicit evidence of subverting traditional gender roles.
Racial & Ethnic Diversity
The setting is a remote region focused on a specific professional hierarchy. There is no mention of a multi-ethnic cast or the intersection of different racial identities.
Religious & Cultural Diversity
The film explores social outsiderhood and the friction between an individual and established social structures. It does not explicitly present religious or secularist critiques.
Disability Representation
There is no mention of physical disability or neurodivergence. While Egor's social difficulties might suggest anxiety, the film provides no specific evidence of intentional disability representation.
Strengths
Areas for Improvement
AI Analysis
Core of the World is a localized, character-driven drama that prioritizes individual psychological states over broad social exploration. The narrative architecture is built around a singular, isolated perspective, focusing on a veterinarian's professional duty and his longing for communal belonging. Because the story centers on a specific professional hierarchy in a remote setting, it lacks the intersectional complexity or diverse casting found in more progressive works. The film functions as a study of social alienation rather than a critique of systemic identity politics. Ultimately, the film's narrow focus on Egor's personal struggle with human connection results in a lack of representation across most major identity categories.

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