The film lacks LGBTQ+ characters or narratives. The romantic arc follows a traditional heteronormative structure between the male protagonist and the female lead.

Lin demonstrates physical competence and agency within the martial arts framework. However, the narrative remains anchored in a conventional romantic dynamic that does not challenge established hierarchies.

The film disrupts the white savior trope by positioning the Caucasian protagonist as a student of Eastern wisdom. Chow Yun-fat's character serves as the primary source of spiritual authority.

The story leans into the mystical East trope, which occasionally borders on exoticism. It focuses on ancient traditions rather than critiquing Western institutions or promoting specific religious morality.

There are no prominent depictions of physical or neurodivergent disabilities. Characters with disabilities are not utilized as central plot devices.