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Ride, Rise, Roar

Name: Ride, Rise, Roar
Director: Hillman Curtis
Released: 2011
Duration: 87 min

Representation Score

5.3/10

Fair

2011

Not Rated

Director

Hillman Curtis

Runtime

87 minutes

Average Rating

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New Showbiz Analysis

Ride, Rise, Roar is a sophisticated exploration of visual and auditory synergy. It disrupts the rigid hierarchies of the concert genre by focusing on a fluid, ensemble-based approach. The film celebrates multicultural collaboration and non-traditional aesthetic expression. While it does not center on explicit identity-based narratives, it creates an inclusive space through its experimental performance art. Ultimately, the documentary serves as a high-concept celebration of creative collaboration rather than a vehicle for social commentary.

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Category Breakdown

Does Ride, Rise, Roar have LGBTQ+ representation?

Fair

The film highlights visual choreography and costume design that challenge traditional gender norms. However, it does not have a specific storyline or characters focused on LGBTQ+ identities.

How does Ride, Rise, Roar portray gender?

Fair

The production challenges conventional gender stereotypes through innovative costumes and movement. However, it lacks strong character development that would help move beyond typical gender roles.

How racially and ethnically diverse is Ride, Rise, Roar?

Good

Featuring a diverse cast from various ethnic backgrounds, the film promotes a blended, multicultural stage presence through collective synergy.

How does Ride, Rise, Roar represent religion and culture?

Fair

The work embraces a secular, art-focused perspective, avoiding traditional Western cultural norms. It instead emphasizes a fluid, experimental cultural space.

Does Ride, Rise, Roar include disability representation?

Minimal

The film does not prominently depict visible or invisible disabilities. Its focus is on high-energy choreography without addressing disability representation.

Present on Screen

Features a multi-ethnic ensemble of musicians and dancers.
Challenges traditional gendered performance clichés through inventive costuming.
Promotes a collaborative, non-hierarchical approach to musical performance.

Limited or Absent

Lacks explicit narrative focus on LGBTQ+ identities.
Does not represent visible or invisible disabilities.
Lacks character-driven ability to act to deepen gender representation.

Official Synopsis

David Byrne is a visual artist as well as a musician, and ever since his early days as a member of Talking Heads, he's wanted his concerts to be more than just a static performance. In 1984, Byrne and filmmaker Jonathan Demme redefined the boundaries of the concert film with the Talking Heads documentary STOP MAKING SENSE, and more than 25 years later Byrne has teamed up with David Hillman to create RIDE, RISE, ROAR, which documents Byrne's 2008-2009 concert tour, in which he performs new material written in collaboration with Brian Eno as well as favorites from his solo career as well as his tenure in Talking Heads. Using costumes and inventive choreography, Byrne and his musicians and dancers give his music a stage presentation as exciting as the music.

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