New Showbiz

You are here:
Fast Food

Fast Food

1989

PG-13

Director

Michael A. Simpson

Runtime

88 minutes

Average Rating

No ratings yet

Synopsis

Auggie and his pals are living it up as perpetual college students. When the dean decides teh only way to stop their schemes and antics is to graduate them, they have to go out and find real work. Auggie hears that Samantha is planning on selling her father's garage to fast food king Wrangler Bob, and comes up with one final scheme; a risky bank loan to turn the garage into stiff competition for Bob. When it looks like Bob will win after all, they develop a very special sauce that keeps the crowds coming because it has the effect of being an aphrodisiac. Bob doesn't like to lose, so he sends his "spy" Dixie Love to infiltrate the restaurant and find out their secret. The ensuing FDA investigation culminates into a hilarious case of disorder in the court!

Where to Watch

Diversity & Representation

Overall Score

3.1/10

Limited

Category Breakdown

LGBTQ+ Representation

Limited

The film lacks explicit queer narratives or non-cisnormative identities. The plot relies on heteronormative sexual tropes, specifically through the use of an aphrodisiac sauce.

Gender Representation

Fair

While women like Samantha and Dixie Love hold active roles, the narrative remains centered on male protagonists. The story follows traditional gendered functions within a comedic framework.

Racial & Ethnic Diversity

Limited

The setting and character archetypes suggest a predominantly white, Anglo-Saxon cast. There is no evidence of racial diversity or non-white representation in the narrative.

Religious & Cultural Diversity

Limited

The film explores capitalism through small business competition. However, it uses standard comedic tropes rather than offering a deep cultural or systemic critique of Western institutions.

Disability Representation

Minimal

There is no mention of characters with visible or invisible disabilities. The narrative does not address disability representation.

Strengths

  • Female characters like Dixie Love occupy active, investigative roles rather than purely domestic ones.
  • The plot moves beyond simple domesticity by placing women in competitive or strategic capacities.

Areas for Improvement

  • The narrative lacks any visible representation of racial or ethnic diversity.
  • The story relies on heteronormative tropes and lacks LGBTQ+ character development.
  • The film fails to address or include characters with disabilities.
  • The central plot is driven almost exclusively by a male-centric group of protagonists.

AI Analysis

Fast Food is a product of its era, functioning as a conventional late-80s comedy. It prioritizes individualist schemes and entrepreneurial antics over nuanced or intersectional storytelling. The narrative structure relies heavily on established comedic archetypes that do not challenge social hierarchies. The film's focus remains on heteronormative romantic tropes and traditional Western comedic frameworks. It lacks the intentionality required to provide diverse perspectives or disrupt systemic norms. Ultimately, the work serves as a standard genre piece that reflects the limited demographic scope of mainstream comedies from 1989.

How are these scores produced? →

Rate this Movie

No rating selected
Use arrow keys to select a rating from 1 to 5 stars
Optional text review, maximum 2000 characters
Tip: Wrap spoilers with ||double pipes|| to hide them
0/2000 characters
You must be signed in to submit a rating

Reviews

No reviews yet. Be the first to share your thoughts on this movie!

Use the rating form above to leave a star rating and optional review.