
How Did They Ever Make a Movie of Facebook?
2011

Representation Score
Good
2009
Director
David Prior
Runtime
175 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The documentary serves as a technical retrospective of David Fincher's filmmaking process. It focuses heavily on the evolution of the project, from its 1990s origins to its complex CGI post-production. Because the film is a behind-the-scenes archival record, it prioritizes the 'how' of production over the 'who' of identity. The narrative structure is designed to illuminate industry craft rather than challenge social hierarchies. Consequently, the work lacks significant representation across most social categories, as its primary goal is documenting the mastery of technology and large-scale studio logistics.
Category Breakdown
The documentary emphasizes the technical aspects of filmmaking and CGI post-production rather than identity-driven stories. It doesn't include explicit LGBTQ+ character arcs or critiques of the assumption that everyone is straight or cisgender.
The film focuses on the industrial scale of production, emphasizing technical roles. It does not show women in actively leading positions or subvert gender hierarchies.
This technical chronicle focuses on the logistical shoot in New Orleans and digital reconstruction. It does not highlight a non-Anglo-Saxon majority cast or efforts to emphasize the overlapping aspects of identity.
The narrative functions as a study of cinematic craft and visual spectacle. It does not engage with anti-capitalist themes or the deconstruction of Western institutions.
While the subject film features a unique physiological condition, this documentary treats the topic as a technical CGI challenge. It lacks a focus on the ability to act of neurodivergence or disability.
Present on Screen
Limited or Absent
Official Synopsis
A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.

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