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King of New York

King of New York

Representation Score

3.2/10

Limited

1990

R

Director

Abel Ferrara

Runtime

103 minutes

Average Rating

No ratings yet

New Showbiz Analysis

King of New York is a gritty crime thriller that centers on Harlem's socio-cultural landscape. It avoids typical outsider clichés by focusing on the community's internal dynamics. However, the film's narrow focus on a patriarchal, hyper-masculine world limits its scope. The absence of LGBTQ+ representation and the exclusion of female characters further constrain the narrative. Despite these limitations, the film provides a nuanced critique of systemic socioeconomic issues and corrupt institutions.

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Category Breakdown

Does King of New York have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or narratives.

How does King of New York portray gender?

Limited

The film focuses on male characters, with women often playing supporting or emotional roles.

How racially and ethnically diverse is King of New York?

Excellent

The film features a predominantly Black cast, highlighting the community's internal struggles and ability to act.

How does King of New York represent religion and culture?

Excellent

It critiques Western institutions, presenting law enforcement and the judicial system as corrupt, and adopts an anti-capitalist stance.

Does King of New York include disability representation?

Minimal

There is no significant depiction of physical, neurodivergent, or mental health disabilities within the primary character arcs.

Present on Screen

  • Features a predominantly Black cast reflecting Harlem's community
  • Offers a sophisticated critique of corrupt law enforcement and judicial systems
  • Provides a nuanced look at systemic socioeconomic issues

Limited or Absent

  • Lacks LGBTQ+ representation
  • Women are given minimal roles
  • No depiction of physical or mental disabilities

Official Synopsis

A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.

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