The film operates within a strictly heteronormative framework. There is no presence of non-cisnormative identities or same-sex intimacy.

Narrative agency is almost exclusively held by an all-male ensemble. Female characters are relegated to secondary roles as romantic interests or peripheral family members.

The setting depicts a relatively homogeneous social environment. It captures urban Indian life without utilizing intersectional lenses or diverse casting.

The story uses deception and anti-social behavior as comedic devices. It upholds the importance of the family unit through a lens of comedic dysfunction.

A blind character serves primarily as a plot catalyst for the protagonists' deception. Disability is used as a functional tool for comedy rather than exploring lived experience.