You are here:

Panic in the City

Name: Panic in the City
Director: Eddie Davis
Released: 1968
Duration: 97 min

Representation Score

0.3/10

Minimal

1968

Approved

Director

Eddie Davis

Runtime

97 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Panic in the City is a quintessential product of its historical moment, functioning as a standard genre piece. It adheres strictly to the established clichés of 1960s thriller cinema, focusing on geopolitical tension and hero-versus-villain dynamics. The film reinforces the status quo of the Cold War era rather than challenging it. By centering on American leadership against a Soviet threat, the narrative prioritizes Western institutional stability and traditional social hierarchies. Ultimately, the work lacks the intentionality required to provide meaningful characters who reflect more than one aspect of diversity or disrupt the conventional social structures of its time.

Watch this, not that →

Category Breakdown

Does Panic in the City have LGBTQ+ representation?

Minimal

The film does not include any visible LGBTQ+ characters or narratives addressing queer themes.

How does Panic in the City portray gender?

Limited

The narrative focuses on male leadership and traditional gender roles typical of Cold War thrillers.

How racially and ethnically diverse is Panic in the City?

Minimal

The film likely reflects the homogeneous casting standards of 1960s B-movies, prioritizing Anglo-Saxon protagonists.

How does Panic in the City represent religion and culture?

Limited

The story emphasizes Western institutional stability and patriotism, aligning with traditional values of law and national security.

Does Panic in the City include disability representation?

Minimal

There is no evidence of characters with disabilities being integrated into the narrative. Disability is not used as a thematic element.

Present on Screen

The film provides a clear, straightforward example of mid-century Cold War thriller genre conventions.

Limited or Absent

The film lacks meaningful representation of LGBTQ+ identities, diverse racial backgrounds, or characters with disabilities.
The narrative relies heavily on traditional gender hierarchies and masculine-centric leadership roles.
The story reinforces Western geopolitical interests without offering cultural critique or diverse perspectives.

Official Synopsis

An American agent is assigned to track down a renegade Soviet spy who is building an atomic device in Los Angeles and plans to destroy the city with it.

How are these scores produced? →