The film lacks any evidence of LGBTQ+ characters or narratives. The story focuses strictly on the survival mechanics of the expedition team.

The ensemble follows traditional survival thriller structures. It lacks evidence of subverting gender hierarchies, often defaulting to masculine leadership roles in high-stakes settings.

By centering a Korean-led expedition, the film disrupts Western-centric exploration tropes. It provides a non-Western perspective on a setting historically dominated by Anglo-Saxon narratives.

The narrative explores the breakdown of order and rationalist frameworks. Characters succumb to paranoia, shifting the focus toward existential and psychological interpretations of reality.

There is no documented evidence of characters with visible or invisible disabilities. No such characters are integrated as agents of the plot.