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Almost an Angel

Almost an Angel

Representation Score

3.5/10

Limited

1990

PG

Director

John Cornell

Runtime

95 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Almost an Angel is a traditional character-driven comedy that adheres to the social and cinematic norms of the early 1990s. The narrative focuses on individual redemption and romantic connections rather than exploring diverse identities or systemic power dynamics. The film uses established clichés that reinforce traditional views on morality and gender. It operates within a framework of conventional spiritual structures without challenging them. Ultimately, the work lacks the intention to disrupt social hierarchies, opting instead for a predictable, genre-based approach to storytelling.

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Category Breakdown

Does Almost an Angel have LGBTQ+ representation?

Minimal

The film follows a traditional storyline focused on heterosexual relationships and does not include non-binary gender identities or same-sex intimacy.

How does Almost an Angel portray gender?

Fair

Gender dynamics revolve around established archetypes such as the struggling male and his romantic counterpart. The film does not challenge traditional hierarchies or masculine leadership roles.

How racially and ethnically diverse is Almost an Angel?

Limited

Casting is predominantly white, reflecting a homogeneous demographic typical of early 1990s comedies. Characters of color have limited influence within the narrative.

How does Almost an Angel represent religion and culture?

Limited

The story reinforces conventional Western spiritual beliefs through themes of divine intervention. It does not offer significant critiques of these institutions or secular perspectives.

Does Almost an Angel include disability representation?

Minimal

Physical trauma is used primarily as a plot device for the protagonist's spiritual awakening. The film lacks a nuanced exploration of neurodivergence or physical disability.

Present on Screen

  • The film provides a clear, character-driven journey of personal redemption and prosocial behavior.

Limited or Absent

  • The narrative lacks depth in addressing various intersecting identities and fails to challenge traditional gender hierarchies.
  • Representation of race and disability is limited, with characters serving mainly as plot devices or demographic placeholders.
  • The film relies on conventional Western spiritual frameworks without offering diverse cultural or secular perspectives.

Official Synopsis

Terry Dean is an electronics wizard and thief. After he is released from jail, he is hit by a car while saving a little girl's life. While in the hospital, he dreams that God visits him and tells him he's an Angel, and must start doing good things to make up for his past life. Not believing it at first, he soon becomes convinced he must be an Angel. Not having any Angel powers yet, he must use his own experiences and talents to make good things happen.

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